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Tuesday, December 27, 2011
Tuesday, December 20, 2011
beauty hot star Gold N Hot GH2144 1\" Professional Ceramic Flat Iron
beauty hot star Gold N Hot GH2144 1\" Professional Ceramic Flat Iron
Professional 1\" ceramic hair straightener with gentle infrared heat to help preserve hair\'s moisture and eliminate frizz. On/off switch, indicator light, easy access 20 setting rheostat control with instant even heat up to 392?F and 8 ft. power cord. Perfect for all hair lengths and hair types.
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Professional 1\" ceramic hair straightener with gentle infrared heat to help preserve hair\'s moisture and eliminate frizz. On/off switch, indicator light, easy access 20 setting rheostat control with instant even heat up to 392?F and 8 ft. power cord. Perfect for all hair lengths and hair types.
Friday, December 2, 2011
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Monday, November 28, 2011
beautiful model stars Very good American star Gia Skova Plump lips and a slender figure of the American model Gia Skova Gia Skova\'s beautiful fit legs inexpensive maternity clothes
beautiful model stars Very good American star Gia Skova Plump lips and a slender figure of the American model Gia Skova Gia Skova\'s beautiful fit legs inexpensive maternity clothes
beautiful model stars Russian girl Gia Skova conquers Hollywood. The rising model and actress Thin waist of actress Gia Skova
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beautiful model stars Russian girl Gia Skova conquers Hollywood. The rising model and actress Thin waist of actress Gia Skova
cheap swim wear What\'s in my backpack (check the tags/notes) miraclesuit swim wear
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Saturday, November 26, 2011
nursing top 29/52 Music is my boyfriend sxey bridal lingerie
nursing top 29/52 Music is my boyfriend sxey bridal lingerie
nursing top From all the drugs the one I like more is music From all the junks the one I need more is music From all the boys the one I take home is music From all the ladies the one I kiss is music (muah! ) Music is my boyfriend Music is my girlfriend Music is my dead end Music is my imaginary friend Music is my brother Music is my great-grand-daughter Music is my sister Music is my favorite mistress From all the shit the one I gotta buy is music From all the jobs the one I choose is music From all the drinks the one I get drunk of music From all the bitches the one I wannabe is music Music is my beach house Music is my hometown Music is my kingsize bed Music is where I meet my friends Music is my hot hot bath Music is my hot hot sex Music is my back rub My music is where I\'d like you to touch CSS- Music is my hot hot sex Sadly this is not my song of the week, but my theme of the week. Still a great song though...you should check it out. I have been in love with music for as long as i can remember. Saving up my 3 dollars a week allowance for a year so that I could by my own boom box. I used to take blank decks and just scan the radio for hours and record any song i liked off the radio on to my tapes. Trying to press record at the perfect moment. I knew every song on the radio and every cassette tape and record my parents possessed by heart. I remember how awesome it felt to buy my first tape and later my first CD. I remember falling asleep to the the Colour and the Shape every night on my discman, almost choking myself with the headphones in the middle of the night. After going to my first concert ( third eye blind and smash mouth when they both has their first hit) all my allowance went towards going to as many shows as possible in highs school. I loved the way the bass took over my heartbeat at shows and beat for me. I was a member of one of those CD clubs and took great pride in my huge CD collection for a teenager. I also never cried harder when my brothers friend left the door to my car unlocked and someone at my high school stole my huge CD book. Biggest shit fit ever. I took it out on my brother and didn\'t talk to him for a week. (Totally not justifiable. I know.) I remember watching Cameron Crowe films and realizing that he PICKED the music to go to his movies and that was actually a job. And decided that is what I wanted to do. The minute I got to college to go to film school and discovered there was no class on music supervising....at all....the film guidance counselor only advice was to sign me up for a hearing science class about wave lengths. RRIIIGGGHHHTTTT. I immediately volunteered at the college radio station and got super lucky and had my own show my freshman year and did it almost til I graduated. Every week I was overwhelmed with how much music was out there that I got to play and learn about. I wanted all of it. Plus the street cred of being a Radio 1190 DJ was pretty sweet. It was almost painful to try and keep up after I left college and didn\'t have access to 40 new albums every week. I craved to know more constantly. New songs to fill new moments with new people and places. When I used to open the coffee shop I worked at EVERY Saturday and Sunday morning of my college career, I could be hungover as hell ( which I usually was), but all I needed was a good 3 song set to get me going and perky again. It was my caffeine. It was my high to go into the back and build a playlist for us to work to and for customers to enjoy their weekend coffee and paper. I have a musical memory. I connect songs to moments and people and once its connected it never goes away. This is a blessing and a curse. If you are close to me, I know I have a whole mix cd worth of songs that I connect to you. Example: We had these skylights at my childhood home and I remember after the first time I heard Glycerine by Bush, I put it on repeat on my dad\'s stereo and lay on the couch and watched the rain fall on the sky lights for hours. I remember what song was playing on the radio when my dad told me my grandma died ( weirdly enough, tears in heaven by Eric Clapton). I remember what song I danced to at a party where everyone stopped and went into the living room and danced and sang at the top of their lungs ( my favorite song ever actually, Talking Heads Naive Melody) i could go on but this might just be amusing for me.... I think mixes are a work of art. Saying things for the person you make it for that they might not know they want to say or what they feel. Or how you feel about them, hoping that they put two and two together. It\'s one of the most thoughtful personal gifts I could ask for or think to give. Music has nursed me through every break up. I have albums and songs that became my therapy when I couldn\'t cope with the silence and my own thoughts in my head. Or coached me through my stages of despair, unrequited love, anger, and empowerment. Since moving to LA music is back in my life at full force. I am overwhelmed at the opportunity to see so many amazing bands on any given night that I need to remind myself that unlike Denver, bands ALWAYS play shows here....and that I can\'t go to all of them....my bank account will cry. And with music comes dancing. I will dance anytime, anywhere, to ALMOST anything. Nothing makes my heart feel lighter. Dancing at a party, at club, doing lindy hop or a hip hop class or slow dancing in a kitchen. I\'ve done it all. And that part of me will never go away. And now that I\'m in LA I\'ve had the opportunity to take the class that I\'ve always wanted to take: Music Supervising for TV and Film. This class only exists in three spots in the country and UCLA is one of them. I\'ve been taking it since September and it\'s everything I hoped for. Every week I leave feeling more certain than ever that Music Supervising is something that I WILL do. I feel more driven and passionate to make it happen. It feels so right. I can feel it in my gut and I have a killer good gut instinct. So this week, I want to tribute my 52 Weeks to my love for Music, the best boyfriend a girl can ever have. I understand that everyone loves music. Who doesn\'t? I\'m just explaining HOW I love music. :) SONG OF THE WEEK: EVERYWHERE- FLEETWOOD MAC DUDE, blast from the past, right? But holy crap what a good song. I think I love it so much for two reasons. It reminds me alot of my favorite song (ahem, once again, Naive Melody) and it also reminds of the the feelings that lots of bands try to capture in a love song these days. It was kind of like the first version of Edward Sharpe\'s Home. Anyway, I dare you to listen to it only once....you\'ll hit repeat. \"I want to be with you everywhere\" sigh. .youtube/watch?v=ThbMaq8hDEo\" .youtube/watch?v=ThbMaq8hDEo oh man such a bad video. wow.
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nursing top From all the drugs the one I like more is music From all the junks the one I need more is music From all the boys the one I take home is music From all the ladies the one I kiss is music (muah! ) Music is my boyfriend Music is my girlfriend Music is my dead end Music is my imaginary friend Music is my brother Music is my great-grand-daughter Music is my sister Music is my favorite mistress From all the shit the one I gotta buy is music From all the jobs the one I choose is music From all the drinks the one I get drunk of music From all the bitches the one I wannabe is music Music is my beach house Music is my hometown Music is my kingsize bed Music is where I meet my friends Music is my hot hot bath Music is my hot hot sex Music is my back rub My music is where I\'d like you to touch CSS- Music is my hot hot sex Sadly this is not my song of the week, but my theme of the week. Still a great song though...you should check it out. I have been in love with music for as long as i can remember. Saving up my 3 dollars a week allowance for a year so that I could by my own boom box. I used to take blank decks and just scan the radio for hours and record any song i liked off the radio on to my tapes. Trying to press record at the perfect moment. I knew every song on the radio and every cassette tape and record my parents possessed by heart. I remember how awesome it felt to buy my first tape and later my first CD. I remember falling asleep to the the Colour and the Shape every night on my discman, almost choking myself with the headphones in the middle of the night. After going to my first concert ( third eye blind and smash mouth when they both has their first hit) all my allowance went towards going to as many shows as possible in highs school. I loved the way the bass took over my heartbeat at shows and beat for me. I was a member of one of those CD clubs and took great pride in my huge CD collection for a teenager. I also never cried harder when my brothers friend left the door to my car unlocked and someone at my high school stole my huge CD book. Biggest shit fit ever. I took it out on my brother and didn\'t talk to him for a week. (Totally not justifiable. I know.) I remember watching Cameron Crowe films and realizing that he PICKED the music to go to his movies and that was actually a job. And decided that is what I wanted to do. The minute I got to college to go to film school and discovered there was no class on music supervising....at all....the film guidance counselor only advice was to sign me up for a hearing science class about wave lengths. RRIIIGGGHHHTTTT. I immediately volunteered at the college radio station and got super lucky and had my own show my freshman year and did it almost til I graduated. Every week I was overwhelmed with how much music was out there that I got to play and learn about. I wanted all of it. Plus the street cred of being a Radio 1190 DJ was pretty sweet. It was almost painful to try and keep up after I left college and didn\'t have access to 40 new albums every week. I craved to know more constantly. New songs to fill new moments with new people and places. When I used to open the coffee shop I worked at EVERY Saturday and Sunday morning of my college career, I could be hungover as hell ( which I usually was), but all I needed was a good 3 song set to get me going and perky again. It was my caffeine. It was my high to go into the back and build a playlist for us to work to and for customers to enjoy their weekend coffee and paper. I have a musical memory. I connect songs to moments and people and once its connected it never goes away. This is a blessing and a curse. If you are close to me, I know I have a whole mix cd worth of songs that I connect to you. Example: We had these skylights at my childhood home and I remember after the first time I heard Glycerine by Bush, I put it on repeat on my dad\'s stereo and lay on the couch and watched the rain fall on the sky lights for hours. I remember what song was playing on the radio when my dad told me my grandma died ( weirdly enough, tears in heaven by Eric Clapton). I remember what song I danced to at a party where everyone stopped and went into the living room and danced and sang at the top of their lungs ( my favorite song ever actually, Talking Heads Naive Melody) i could go on but this might just be amusing for me.... I think mixes are a work of art. Saying things for the person you make it for that they might not know they want to say or what they feel. Or how you feel about them, hoping that they put two and two together. It\'s one of the most thoughtful personal gifts I could ask for or think to give. Music has nursed me through every break up. I have albums and songs that became my therapy when I couldn\'t cope with the silence and my own thoughts in my head. Or coached me through my stages of despair, unrequited love, anger, and empowerment. Since moving to LA music is back in my life at full force. I am overwhelmed at the opportunity to see so many amazing bands on any given night that I need to remind myself that unlike Denver, bands ALWAYS play shows here....and that I can\'t go to all of them....my bank account will cry. And with music comes dancing. I will dance anytime, anywhere, to ALMOST anything. Nothing makes my heart feel lighter. Dancing at a party, at club, doing lindy hop or a hip hop class or slow dancing in a kitchen. I\'ve done it all. And that part of me will never go away. And now that I\'m in LA I\'ve had the opportunity to take the class that I\'ve always wanted to take: Music Supervising for TV and Film. This class only exists in three spots in the country and UCLA is one of them. I\'ve been taking it since September and it\'s everything I hoped for. Every week I leave feeling more certain than ever that Music Supervising is something that I WILL do. I feel more driven and passionate to make it happen. It feels so right. I can feel it in my gut and I have a killer good gut instinct. So this week, I want to tribute my 52 Weeks to my love for Music, the best boyfriend a girl can ever have. I understand that everyone loves music. Who doesn\'t? I\'m just explaining HOW I love music. :) SONG OF THE WEEK: EVERYWHERE- FLEETWOOD MAC DUDE, blast from the past, right? But holy crap what a good song. I think I love it so much for two reasons. It reminds me alot of my favorite song (ahem, once again, Naive Melody) and it also reminds of the the feelings that lots of bands try to capture in a love song these days. It was kind of like the first version of Edward Sharpe\'s Home. Anyway, I dare you to listen to it only once....you\'ll hit repeat. \"I want to be with you everywhere\" sigh. .youtube/watch?v=ThbMaq8hDEo\" .youtube/watch?v=ThbMaq8hDEo oh man such a bad video. wow.
Saturday, November 12, 2011
women\'s clothing Stephen Belafonte project hollywood
women\'s clothing Stephen Belafonte project hollywood
women\'s clothing Who\'s Sexiest People Party; Great Hall At University of Sydney, by Eva Rinaldi Tonight it was Who magazines \'Sexiest People Party\'. As you may have heard via the sexy Sydney grapevine, Ricki-Lee Coulter made an appearance on Who magazine\'s sought-after Sexiest People issue, which is out next flirty Friday. Ms Sexy was also tonight\'s guest performer (in public) at Who\'s Sexiest People Party in the Great Hall at the University of Sydney. We\'ve been told it was her birthday, which is a pretty sexy occasion in our lives if you think about it. She looks good for 26th don\'t you think. \"Losing weight has given me an extra boost,\" Coulter told Who magazine. \"But I think back to when I met my boyfriend (Richard Harrison) and I was the heaviest I\'ve ever been. \"It didn\'t bother me...I still flicked my hair around and did my thing. Losing weight has certainly boosted my confidence but I think I have always been self-assured.\" Woman\'s Day, an ACP Magazine title, has parted with a considerable amount of money for a number of exclusive stories and photos with her. Did you catch her \"tits and ass\" shoot with Maxim magazine? It\'s pretty hot and not much is left to the imagination. On being her sexy self, RCL says: \"I\'m not opposed to being naked, so my ultimate sexy night in would be sans clothes, some candles and maybe some massage oil ... things can get sexy pretty quickly! \"I would highly recommend staying away from the stove and trying to cook dinner when you are naked, though â€" order takeaway instead!\" she told Who. Speaking of other sexy bodies, you should have seen Lara Bingle tonight. Some media chat centred around her little belly and if she may have been pregnant or not. For the record names present included Lara Bingle, Ricci-Lee Coulter, Brynne & Geoffrey Edelsten, Esither Anderson, Charlotte Dawson, Samara Weaving, Montana Cox and Rebecca Breeds. The latest arrivals were \'The Veronicas\' (Jessica and Lisa Origliasso), who have only just started get back into the public and media eye after a few years or laying pretty low. Well done to David Grant and the team at dg3 Event Management who helped put on a golden night of entertainment, glam and sexiness. Guess who is getting sexy tonight, and we\'re taken, but in sexy Sydney you shouldn\'t have too much trouble in getting naked with a like minded individual or three. We can\'t wait till next year to do it all over again. Websites WHO magazine au.lifestyle.yahoo/who\" au.lifestyle.yahoo/who Pacific Magazines .pacificmagazines.au\" .pacificmagazines.au Eva Rinaldi Photography Flickr .flickr/evarinaldiphotography\".flickr/evarinaldiphotography Eva Rinaldi Photography .evarinaldi\" .evarinaldi
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women\'s clothing Who\'s Sexiest People Party; Great Hall At University of Sydney, by Eva Rinaldi Tonight it was Who magazines \'Sexiest People Party\'. As you may have heard via the sexy Sydney grapevine, Ricki-Lee Coulter made an appearance on Who magazine\'s sought-after Sexiest People issue, which is out next flirty Friday. Ms Sexy was also tonight\'s guest performer (in public) at Who\'s Sexiest People Party in the Great Hall at the University of Sydney. We\'ve been told it was her birthday, which is a pretty sexy occasion in our lives if you think about it. She looks good for 26th don\'t you think. \"Losing weight has given me an extra boost,\" Coulter told Who magazine. \"But I think back to when I met my boyfriend (Richard Harrison) and I was the heaviest I\'ve ever been. \"It didn\'t bother me...I still flicked my hair around and did my thing. Losing weight has certainly boosted my confidence but I think I have always been self-assured.\" Woman\'s Day, an ACP Magazine title, has parted with a considerable amount of money for a number of exclusive stories and photos with her. Did you catch her \"tits and ass\" shoot with Maxim magazine? It\'s pretty hot and not much is left to the imagination. On being her sexy self, RCL says: \"I\'m not opposed to being naked, so my ultimate sexy night in would be sans clothes, some candles and maybe some massage oil ... things can get sexy pretty quickly! \"I would highly recommend staying away from the stove and trying to cook dinner when you are naked, though â€" order takeaway instead!\" she told Who. Speaking of other sexy bodies, you should have seen Lara Bingle tonight. Some media chat centred around her little belly and if she may have been pregnant or not. For the record names present included Lara Bingle, Ricci-Lee Coulter, Brynne & Geoffrey Edelsten, Esither Anderson, Charlotte Dawson, Samara Weaving, Montana Cox and Rebecca Breeds. The latest arrivals were \'The Veronicas\' (Jessica and Lisa Origliasso), who have only just started get back into the public and media eye after a few years or laying pretty low. Well done to David Grant and the team at dg3 Event Management who helped put on a golden night of entertainment, glam and sexiness. Guess who is getting sexy tonight, and we\'re taken, but in sexy Sydney you shouldn\'t have too much trouble in getting naked with a like minded individual or three. We can\'t wait till next year to do it all over again. Websites WHO magazine au.lifestyle.yahoo/who\" au.lifestyle.yahoo/who Pacific Magazines .pacificmagazines.au\" .pacificmagazines.au Eva Rinaldi Photography Flickr .flickr/evarinaldiphotography\".flickr/evarinaldiphotography Eva Rinaldi Photography .evarinaldi\" .evarinaldi
erotic photography Even as I wander I\'m keeping you in sight. girls bikini
erotic photography Even as I wander I\'m keeping you in sight. girls bikini
erotic photography
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erotic photography
Thursday, November 10, 2011
headline movie actress Jackie Cooper 1922–2011 & Freddie Bartholomew 1924–1992 beautiful young
headline movie actress Jackie Cooper 1922â€"2011 & Freddie Bartholomew 1924â€"1992 beautiful young
headline movie actress Jackie Cooper dies at 88 Famed child star became busy TV director Jackie Cooper, the first child star of the talkie era who continued acting into adulthood and also had a career as a TV director, producer and executive, died Tuesday in Los Angeles. He was 88. At the age of nine, Cooper received an Best Actor Oscar nomination for his performance in 1931\'s \"Skippy.\"As of 2011, Cooper\'s Oscar nomination for \"Skippy\" was the earliest nom in any Academy Award category in which the nominee was still living. He was also the youngest nominee ever, and until 13-year-old Keisha Castle-Hughes was nominated for best actress in 2004, he was the only person to earn a best actor/actress nom before his/her 18th birthday (others have been nominated in supporting categories). He was born John Cooper Jr. in Los Angeles; his father abandoned the family when he was a toddler. A nephew (by marriage) of film director Norman Taurog, Cooper began appearing in short comedy films with Lloyd Hamilton and Bobby Clark when he was 3. It was Taurog who would direct him in \"Skippy.\" He was one of the most prominent stars in a number of \"Little Rascals\" or \"Our Gang\" films produced by Hal Roach in 1930 and 1931 and scored again with 1931 sentimental boxing tale \"The Champ,\" in which he starred with Wallace Beery. (That film was remade with Jon Voight and Ricky Schroder in 1979). Beery and Cooper starred in a series of films together at MGM including \"The Bowery\" and \"Treasure Island\"; the pair captivated movie audiences, but Cooper would later accuse Beery of seeking to undermine him. Cooper continued to find roles as he aged into adolescence but did not regain his earlier stardom, replaced by the likes of Freddie Bartholomew and Roddy McDowall in the public eye. He did draw favorable notices for his performances in 1940\'s Booth Tarkington adaptation \"Seventeen\" and in 1942\'s \"Syncopation.\" Cooper served in the Navy during WWII, eventually attaining the rank of captain.He did not find much acting work immediately after the war, appearing in the 1947 comedy \"Kilroy Was Here\" with another former child star, Jackie Coogan. Cooper soon found himself without a Hollywood contract for the first time since he was 3. He headed for New York and made his Gotham stage debut in a 1949 production of \"Magnolia Alley\" at the Mansfield Theater. Soon thereafter, he toured the U.S. as Ensign Pulver in \"Mr. Roberts\" and playd the role in the London production in 1951. Transitioning to television, he found occasional roles on \"Schlitz Playhouse,\" \"Robert Montgomery Presents\" and \"Studio One in Hollywood,\" among many others.In 1955 he began a three-year run as star of NBC sitcom \"The People\'s Choice.\" Subsequently Cooper starred in the title role of a Navy doctor in CBS sitcom \"Hennesey,\" from 1959-62, drawing Emmy noms for best actor in a comedy two years running. He was already beginning to extend his skill set, directing three episodes of \"The People\'s Choice\" and four episodes of \"Hennesey\" and producing an episode of the latter. Cooper next became an executive. He was hired in 1964 as VP of program development for Columbia Pictures\' TV division (formerly Screen Gems). For five years he was responsible for packaging series (such as \"Bewitched\") and selling them to the networks. After exiting Col in 1969, Cooper spent more time directing for TV than acting.In 1971, however, he appeared in the fairly daring ABC telepic \"Maybe I\'ll Come Home in the Spring.\" He and Eleanor Parker played the parents of Sally Field, who runs away but eventually returns only to discover that establishment hypocrisy remains. In 1975 he made a last effort at a series-regular role, playing a news reporter in ABC\'s \"Mobile One.\" Cooper was still guesting on the likes of \"Hawaii Five-O\" and \"Ironside,\" but he directed 13 episodes of \"MASH\" in 1973-74, winning an Emmy for comedy directing for one of them. He helmed an episode of \"The Mary Tyler Moore Show\"; five episodes of \"The Rockford Files\"; five of \"Black Sheep Squadron\"; three of \"Quincy, M.E.\"; and three of \"The White Shadow.\" For directing the pilot of \"The White Shadow\" he won an Emmy. In 1978 he appeared in the feature film role for which he would become best known to generations unaware of his work as a child many decades earlier: newsman Perry White in \"Superman,\" starring Christopher Reeve. He returned for \"Superman II,\" \"Superman III\" and 1987\'s \"Superman IV: The Quest for Peace.\" He continued directing during the 1980s, with four episodes of \"Sledge Hammer!\"; two of \"Magnum, P.I.\"; four of \"Cagney and Lacey\"; two of \"Simon and \"Simon\"; and two of \"Jake and the Fatman\" in 1989. In his last acting job, he appeared in two episodes of the ABC series \"Capital News\" in 1990. Cooper announced his retirement in 1989, although he was still directing episodes of the syndicated series \"Superboy.\" After 1989 he occasionally appeared in retrospective and documentary programs about Hollywood. Cooper\'s autobiography, \"Please Don\'t Shoot My Dog,\" was published in 1982. The title comes from director Norman Taurog\'s threat to shoot young Jackie\'s dog if he could not cry in \"Skippy.\" He has a star on the Hollywood Walk of Fame at 1501 Vine Street. Cooper was married three times: to June Horne (1944-49), to Hildy Parks (1950-51) and to Barbara Kraus from 1954 until her death in 2009. He is survived by two sons. Two daughters predeceased him. Carmel Dagan VARIETY 4 May 2011 Freddie Bartholomew Is Dead; Child Star in Films of the 1930\'s Freddie Bartholomew, a Hollywood child star whose name became synonymous with the proper, curly-haired little English boys he played in \"David Copperfield\" and \"Little Lord Fauntleroy,\" died yesterday at Sarasota Memorial Hospital in Sarasota, Fla. His age was variously reported as 69 and 70. He lived in Bradenton, Fla. Mr. Bartholomew died of emphysema, said his stepdaughter, Celia Paul of Manhattan. Born in Dublin, Mr. Bartholomew was brought up by an aunt in Warminster in southern England, where he made his performing debut at age 4, reciting a poem at a church social. He later told interviewers that his aunt, Mylicent Mary Bartholomew, was so impressed by his stage presence and his ability to memorize that she took him on the rounds of British film studios and helped him get bit parts. Overnight Success at 10 M-G-M discovered him when he was 10 and signed him to play the title role in \"David Copperfield.\" The film opened in 1934, and Master Bartholomew, as he was then reverentially called, became an overnight star. After the success of \"Little Lord Fauntleroy\" (1936), in which he played a poor boy from Brooklyn who travels to England to gain his rightful inheritance, and \"Captains Courageous\" (1937), in which he played Kipling\'s spoiled boy who falls in with hard-bitten fishermen, his salary soared to $2,500 a week, making him the highest-paid child star after Shirley Temple. So great was his fame in the late 1930\'s that it made headlines when he had his customary curls sheared off because he thought them \"too sissified.\" His years of stardom were also plagued by headlines generated by the efforts of his parents, Cecil and Lillian Mae Bartholomew, to regain custody of their son. The dispute was finally resolved in 1936 when it was agreed that he could continue to live under the guardianship of his aunt. His parents were given allowances for their living expenses from his salary. By 1939, when he was a gangling teen-ager, his days of stardom were over and he returned to school, having been adopted by his aunt. In World War II he served with scarcely any public attention as a maintenance worker for a group of B-17 bombers. After his discharge, he appeared in vaudeville and nightclub shows, performed in summer theater and traveled widely, but he was never able to re-establish his acting career. Eventually, he moved into directing television shows in the United States. In 1954, he went to work for the Benton & Bowles advertising agency in New York, eventually becoming a vice president. He handled the company\'s involvement in \"The Andy Griffith Show\" and other shows. The millions of dollars he earned as a child had long since disappeared, he told an interviewer in 1951. Between the lawsuits involving his parents and movie studios, he said, \"I was drained dry.\" In all, he made 24 films. Looking back on his life as a star, he said the movie he most enjoyed making was \"Captains Courageous.\" The film took a year to make, with much of it shot off the coasts of Florida and Catalina Island in California. \"For a kid,\" he said, \"it was like one long outing. Spencer Tracy, Lionel Barrymore, Mickey Rooney, Melvyn Douglas and I -- we all grew very close toward one another in those 12 months. When the shooting was finished, we cried like a bunch of babies as we said our good-byes.\" In addition to his stepdaughter, he is survived by his wife, Elizabeth; a daughter, Katie, of Santa Fe, N.M.; a son, Frederick, of Coral Springs, Fla., and three grandchildren. WILLIAM H. HONAN New York Times 24 January 1992
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headline movie actress Jackie Cooper dies at 88 Famed child star became busy TV director Jackie Cooper, the first child star of the talkie era who continued acting into adulthood and also had a career as a TV director, producer and executive, died Tuesday in Los Angeles. He was 88. At the age of nine, Cooper received an Best Actor Oscar nomination for his performance in 1931\'s \"Skippy.\"As of 2011, Cooper\'s Oscar nomination for \"Skippy\" was the earliest nom in any Academy Award category in which the nominee was still living. He was also the youngest nominee ever, and until 13-year-old Keisha Castle-Hughes was nominated for best actress in 2004, he was the only person to earn a best actor/actress nom before his/her 18th birthday (others have been nominated in supporting categories). He was born John Cooper Jr. in Los Angeles; his father abandoned the family when he was a toddler. A nephew (by marriage) of film director Norman Taurog, Cooper began appearing in short comedy films with Lloyd Hamilton and Bobby Clark when he was 3. It was Taurog who would direct him in \"Skippy.\" He was one of the most prominent stars in a number of \"Little Rascals\" or \"Our Gang\" films produced by Hal Roach in 1930 and 1931 and scored again with 1931 sentimental boxing tale \"The Champ,\" in which he starred with Wallace Beery. (That film was remade with Jon Voight and Ricky Schroder in 1979). Beery and Cooper starred in a series of films together at MGM including \"The Bowery\" and \"Treasure Island\"; the pair captivated movie audiences, but Cooper would later accuse Beery of seeking to undermine him. Cooper continued to find roles as he aged into adolescence but did not regain his earlier stardom, replaced by the likes of Freddie Bartholomew and Roddy McDowall in the public eye. He did draw favorable notices for his performances in 1940\'s Booth Tarkington adaptation \"Seventeen\" and in 1942\'s \"Syncopation.\" Cooper served in the Navy during WWII, eventually attaining the rank of captain.He did not find much acting work immediately after the war, appearing in the 1947 comedy \"Kilroy Was Here\" with another former child star, Jackie Coogan. Cooper soon found himself without a Hollywood contract for the first time since he was 3. He headed for New York and made his Gotham stage debut in a 1949 production of \"Magnolia Alley\" at the Mansfield Theater. Soon thereafter, he toured the U.S. as Ensign Pulver in \"Mr. Roberts\" and playd the role in the London production in 1951. Transitioning to television, he found occasional roles on \"Schlitz Playhouse,\" \"Robert Montgomery Presents\" and \"Studio One in Hollywood,\" among many others.In 1955 he began a three-year run as star of NBC sitcom \"The People\'s Choice.\" Subsequently Cooper starred in the title role of a Navy doctor in CBS sitcom \"Hennesey,\" from 1959-62, drawing Emmy noms for best actor in a comedy two years running. He was already beginning to extend his skill set, directing three episodes of \"The People\'s Choice\" and four episodes of \"Hennesey\" and producing an episode of the latter. Cooper next became an executive. He was hired in 1964 as VP of program development for Columbia Pictures\' TV division (formerly Screen Gems). For five years he was responsible for packaging series (such as \"Bewitched\") and selling them to the networks. After exiting Col in 1969, Cooper spent more time directing for TV than acting.In 1971, however, he appeared in the fairly daring ABC telepic \"Maybe I\'ll Come Home in the Spring.\" He and Eleanor Parker played the parents of Sally Field, who runs away but eventually returns only to discover that establishment hypocrisy remains. In 1975 he made a last effort at a series-regular role, playing a news reporter in ABC\'s \"Mobile One.\" Cooper was still guesting on the likes of \"Hawaii Five-O\" and \"Ironside,\" but he directed 13 episodes of \"MASH\" in 1973-74, winning an Emmy for comedy directing for one of them. He helmed an episode of \"The Mary Tyler Moore Show\"; five episodes of \"The Rockford Files\"; five of \"Black Sheep Squadron\"; three of \"Quincy, M.E.\"; and three of \"The White Shadow.\" For directing the pilot of \"The White Shadow\" he won an Emmy. In 1978 he appeared in the feature film role for which he would become best known to generations unaware of his work as a child many decades earlier: newsman Perry White in \"Superman,\" starring Christopher Reeve. He returned for \"Superman II,\" \"Superman III\" and 1987\'s \"Superman IV: The Quest for Peace.\" He continued directing during the 1980s, with four episodes of \"Sledge Hammer!\"; two of \"Magnum, P.I.\"; four of \"Cagney and Lacey\"; two of \"Simon and \"Simon\"; and two of \"Jake and the Fatman\" in 1989. In his last acting job, he appeared in two episodes of the ABC series \"Capital News\" in 1990. Cooper announced his retirement in 1989, although he was still directing episodes of the syndicated series \"Superboy.\" After 1989 he occasionally appeared in retrospective and documentary programs about Hollywood. Cooper\'s autobiography, \"Please Don\'t Shoot My Dog,\" was published in 1982. The title comes from director Norman Taurog\'s threat to shoot young Jackie\'s dog if he could not cry in \"Skippy.\" He has a star on the Hollywood Walk of Fame at 1501 Vine Street. Cooper was married three times: to June Horne (1944-49), to Hildy Parks (1950-51) and to Barbara Kraus from 1954 until her death in 2009. He is survived by two sons. Two daughters predeceased him. Carmel Dagan VARIETY 4 May 2011 Freddie Bartholomew Is Dead; Child Star in Films of the 1930\'s Freddie Bartholomew, a Hollywood child star whose name became synonymous with the proper, curly-haired little English boys he played in \"David Copperfield\" and \"Little Lord Fauntleroy,\" died yesterday at Sarasota Memorial Hospital in Sarasota, Fla. His age was variously reported as 69 and 70. He lived in Bradenton, Fla. Mr. Bartholomew died of emphysema, said his stepdaughter, Celia Paul of Manhattan. Born in Dublin, Mr. Bartholomew was brought up by an aunt in Warminster in southern England, where he made his performing debut at age 4, reciting a poem at a church social. He later told interviewers that his aunt, Mylicent Mary Bartholomew, was so impressed by his stage presence and his ability to memorize that she took him on the rounds of British film studios and helped him get bit parts. Overnight Success at 10 M-G-M discovered him when he was 10 and signed him to play the title role in \"David Copperfield.\" The film opened in 1934, and Master Bartholomew, as he was then reverentially called, became an overnight star. After the success of \"Little Lord Fauntleroy\" (1936), in which he played a poor boy from Brooklyn who travels to England to gain his rightful inheritance, and \"Captains Courageous\" (1937), in which he played Kipling\'s spoiled boy who falls in with hard-bitten fishermen, his salary soared to $2,500 a week, making him the highest-paid child star after Shirley Temple. So great was his fame in the late 1930\'s that it made headlines when he had his customary curls sheared off because he thought them \"too sissified.\" His years of stardom were also plagued by headlines generated by the efforts of his parents, Cecil and Lillian Mae Bartholomew, to regain custody of their son. The dispute was finally resolved in 1936 when it was agreed that he could continue to live under the guardianship of his aunt. His parents were given allowances for their living expenses from his salary. By 1939, when he was a gangling teen-ager, his days of stardom were over and he returned to school, having been adopted by his aunt. In World War II he served with scarcely any public attention as a maintenance worker for a group of B-17 bombers. After his discharge, he appeared in vaudeville and nightclub shows, performed in summer theater and traveled widely, but he was never able to re-establish his acting career. Eventually, he moved into directing television shows in the United States. In 1954, he went to work for the Benton & Bowles advertising agency in New York, eventually becoming a vice president. He handled the company\'s involvement in \"The Andy Griffith Show\" and other shows. The millions of dollars he earned as a child had long since disappeared, he told an interviewer in 1951. Between the lawsuits involving his parents and movie studios, he said, \"I was drained dry.\" In all, he made 24 films. Looking back on his life as a star, he said the movie he most enjoyed making was \"Captains Courageous.\" The film took a year to make, with much of it shot off the coasts of Florida and Catalina Island in California. \"For a kid,\" he said, \"it was like one long outing. Spencer Tracy, Lionel Barrymore, Mickey Rooney, Melvyn Douglas and I -- we all grew very close toward one another in those 12 months. When the shooting was finished, we cried like a bunch of babies as we said our good-byes.\" In addition to his stepdaughter, he is survived by his wife, Elizabeth; a daughter, Katie, of Santa Fe, N.M.; a son, Frederick, of Coral Springs, Fla., and three grandchildren. WILLIAM H. HONAN New York Times 24 January 1992
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